Ezekiel writes to shock and to shake, and reaches his most shocking so far here in his epic portrayal of the harrowing life story of Ms. Jerusalem. If it opens in the beguiling manner of a “rags-to-riches” fairy tale, it soon devastates the audience with the extend to which no one lives happily ever after as its camera moves from abandoned baby to nubile beauty to nymphomaniac whore to brazen adulteress to heartless child killer, a woman no better than her foreign parents and arguably worse than her sisters Samaria and Sodom. It is the prophetic equal to a four-hour movie blockbuster with repeated scenes of sexual violence and violence on children, which no one under 18 is allowed to see. It became another passage in Ezekiel which rabbinic leadership hesitated to have read in worship. John Goldingay
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John Goldingay “Ezekiel” in Eerdmans Commentary on the Bible ed. J. D. G. Dunn and J. W. Rogerson (Eerdmans, 2003) pg. 635
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